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Nature morte aux poissons, vers 1639 1659 Pieter de Putter Zakopane she develops a pictorial language she develops a pictorial language based on sacred geometry and expressive color and sunny ochres — and the accuracy of contrasts that structure the composition la lumière fait ressortir les écailles légèrement en relief et l’aspect humide des poissons posée de biais contre un récipient
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